Carl Dahlstedt|||||||||||||||Note, clockwise from top: Cristiano Pigazzini, Johannes Carlstrom, Susanna Wahlin and Kristoffer Fagerstrom (fifth Notester Alexis Holmqvist was away)|Dezibel, an acoustic panel, makes a virtue of the product’s thickness|MCE lamp, a glass orb sitting in a jointed wooden cradle|Marginal Notes, the experimental collection that began the firm’s rebirth|Suburbia, a wall organiser for Seletti inspired by Vitra’s Uten.Silo|Cork-topped Boet stools (Boet means “nest” in Swedish), for Mitab|The Fuse lamp harnesses maker Ex-t’s expertise with porcelain|Office accessories range Kopiad; its coloured interiors make it glow|Rondell reimagines an office mail-sorting hub as a circular piece of furniture|An aerial view of the Telluria candelabra, inspired by an astrological model|The Soot desk: black on the outside, it opens to reveal a pine interior|Svensk Travsport’s HQ features Note’s pleasingly chunky Boop armchairs|The IT department at bookmakers ATG; staff grew to love it (eventually)|Avanza Bank’s head office: the brief was for something non-bank-like||
24 Jun 2013

Note: From the margins to the mainstream

Words by James McLachlan

Editor’s picks

Clikclax is Zahava Elenberg’s solution to physical distancing at the workplace

Graphic design studio thonik unveils its first work of architecture in Amsterdam

A youth-centric island in Wrocław gets a new creative hub from MVRDV

Roar recreates slice of home for Takeda’s Dubai offices

At work with Monica Pedrali

Rolling Stock Yard by Squire & Partners brings industrial-aesthetic workspaces to King’s Cross

Noke Architects design jewellery boutique inspired by soft, fluid shapes

imm cologne launches 18th edition of Pure Talents Contest 2021

LOEHR’s new collection brings playful colour to functional furniture


Workplace | Design | Architecture