Carl Dahlstedt|||||||||||||||Note, clockwise from top: Cristiano Pigazzini, Johannes Carlstrom, Susanna Wahlin and Kristoffer Fagerstrom (fifth Notester Alexis Holmqvist was away)|Dezibel, an acoustic panel, makes a virtue of the product’s thickness|MCE lamp, a glass orb sitting in a jointed wooden cradle|Marginal Notes, the experimental collection that began the firm’s rebirth|Suburbia, a wall organiser for Seletti inspired by Vitra’s Uten.Silo|Cork-topped Boet stools (Boet means “nest” in Swedish), for Mitab|The Fuse lamp harnesses maker Ex-t’s expertise with porcelain|Office accessories range Kopiad; its coloured interiors make it glow|Rondell reimagines an office mail-sorting hub as a circular piece of furniture|An aerial view of the Telluria candelabra, inspired by an astrological model|The Soot desk: black on the outside, it opens to reveal a pine interior|Svensk Travsport’s HQ features Note’s pleasingly chunky Boop armchairs|The IT department at bookmakers ATG; staff grew to love it (eventually)|Avanza Bank’s head office: the brief was for something non-bank-like||
24 Jun 2013

Note: From the margins to the mainstream

Words by James McLachlan

Editor’s picks

Good Measures launches design-conscious distancing signs

Open House launches new film series touring London’s most interesting architecture

Christ & Gantenbein completes Lindt Home of Chocolate on Lake Zurich

Contemporary meets industrial in the offices of Loona by Studio 11

Snøhetta designs a world of plants for Georg Jensen

Reinventing tradition in a bright, minimal Berlin workspace

Enorme Studio revamps Madrid office for Xeito Investments

The Montana Free shelving system receives a vibrant update by Tekla Evelina Severin

Holloway Li create Joshua Tree-inspired co-working space at South London hotel


Workplace | Design | Architecture