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SelgasCano's new HQ goes back to nature|The north-facing wall is a 20mm-thick curved window made of transparent plexiglas, while the opaque south-facing wall uses a ‘sandwich’ of fibreglass, polyester and insulation|Steps lead up from entrance level to the tubular space with its long row of workstations – all of them hotdesks|Wooden planks are used for paving outside the tubular structure|Concrete steps cut into the earth lead down into the office’s entrance||

SelgasCano's enchanting office

21 Oct 2009

Canary Wharf: Past, Present, Future

16 Sep 2009

Gill Parker on opportunities in a downturn

15 Sep 2009

Employees sit diagonally opposite one another, so they can talk without screens getting in the way|A 3m-long aquarium hs been built into the wall of the reception area|Informal meetings can be held in the custom-designed seating area|The desk modules combine to make one continous surface. Desk lamps help to create a more intimate feel|A CGI of a single desk|Select walls have been painted to focus the eye on distant points|The sleek white boardroom table with its contrasting bright chairs|The floor plan, showing the main work area and adjacent smaller offices||

Syzygy HQ by eins:eins architekten

14 Sep 2009

The futuristic entrance to the reception building|“BAE Systems’ Living Room” – the sleek reception area|Large atrium spaces mean good natural lighting and ventilation|Hollow elements of the ‘folded’ structure have been glazed in|Building 608, one of two similar four-storey office buildings|The Post-it note that inspired the reception building’s design||

BAE Systems HQ by Capita Symonds

14 Sep 2009

The restored exterior of the 1920s building, with its tall, arched windows and terra cotta detailing|Two cantilevered floor plates fill the cathedral-like space and provide room for Cannon’s 120 employees|Concrete floors and industrial-style lighting honour the building’s original use, and vast windows let in ample natural light|The floorplates were overlapped to give the impression that they almost hover in space, and to allow as much light as possible to penetrate informal meeting areas|The area between the newly formed workspace and the external wall of the original building is now used as a community gallery|Adapted Knoll workstations are set up in a grid formation among the building’s original steel columns|A reference library at lower- ground level contasts steel and brick with carpeting and bright yellow bookcases|An oblong structure on the roof originally used to store conveyor equipment now houses the staff lunchroom and boardroom||

Cannon Design's St.Louis HQ

14 Sep 2009

Floor to ceiling height windows give meeting rooms spectacular views of London|A timber clad reception desk and raised timber platform with inset bench in the meet and greet area|Marbleised LED panels sit behind a new staircase connecting reception to the thirty-third floor|Company branding comes into play on floor thirty-two with red ceiling panels and coordinated furniture|One of the client facing meeting rooms on the thirty-second floor|Gensler ensured plenty of opportunity to sit and soak in the views on the restaurant floor|Soft seating in reception|Informal meeting zones were incorporated into the client facing floors to give a variety of space||

Reed Smith's London HQ by Gensler

20 Aug 2009

A ceiling of reclaimed wood scraps is the prominent feature of the new Bearstech office|Wall partitioning was removed in order to expose the lovely red brick and Parisian rock|The cave-like meeting room can be clearly seen through the shopfront window|A bench made of industrial cardboard and felt divides the work area from the meeting room||

Bearstech Parisian HQ by Paul Coudamy

20 Aug 2009

Bespoke storage units on the ground floor can be wheeled around, repositioned and reconfigured|Rotating window displays draw passing creatives in from Rivington Street|Customised stacked storage system with wipeboard covers|The work surface extends into an archway entrance to the core office space|The meeting table, with jagged jaw teeth, can be pushed out of the warehouse window to overhang Rivington Street||

YCN's offices by Klassnik Corporation

20 Aug 2009

Cathedral HQ by Allford Hall Monaghan

20 Aug 2009

Vintage wall clocks from Vitra are set to the local times of Microsoft offices around the world. While Vernor Panton lamps give character to ground floor meeting space|Glazed meeting pods in the central garden atrium with Lotus chairs from Cappelini|A staircase gives connection between floors. An informal area with Noughtone Pinch stools and sofa|Employees set up laptops at one of the work tables|Twiggy floorlight by Foscarini, Alcove Sofa by Vitra and Noughtone Reg chairs give a domestic feel to the reception|Employees can work and eat in the cantina|Staff lockers marked with chalk|Kvadrat felt wall panels help with acoustics on open floors|A bright cafe offers a place for visitors and employees to mingle over coffee||

Microsoft's Dutch HQ by Sevil Peach

20 Jul 2009

Glass fronted meeting rooms that can be used by subscribers|A staggered corridor breaks up the speculative office space|The raised meeting area is flooded with daylight|Stainless steel slide by Josef Wiegand GmbH|The club area which acts as a social hub and Vitra showroom||

Electric Works by DIVE architects

20 Jul 2009

The main architectural feature of the office space is the spine. It features:prosmatic tiles by H&R Johnson; upholstered elements in fabric by Bute; a pinboard fabric from Kvadrat; Forbo Touch solo linoleum flooring; and Boule pendant lights by Regent Lighting|The floor plan|A 3D rendering of the spine, and the central functions it houses|Library bar with copper tiles by Metal Tiles and Golden Bell lights by Artek|Canteen with red painted picnic tables and Soft Dome lights by Habitat|Boardroom with Santa & Cole GT5 lights and Happy Chairs by Swedese||

Langland Advertising Agency by Jump

08 Jun 2009

The Barber Osgerby Home table with Corian top serves as a reception desk|A bespoke bookcase filled with trinkets links the ground floor and basement|Low booths look elegant and provide an ideal space for staff and guests to sit down together|Meeting rooms are kept warm with earthy tones like mustard, grey and timber||

Fallon HQ by Universal Design Studios

08 Jun 2009

The themed boardroom and entrance capture the carnival spirit of the project|Merry-go-round elements decorate the reception area|Giant 3D letters spelling ‘PLAY’ set the tone in the reception area|Soft seating and suspended carousel horses decorate first floor break out area|The ground floor boardroom sits alongside a new red staircase with the ‘Guangzhou’ sign in lightbulbs|The main open plan work areas are more neutral than the communal spaces||

Ogilvy's Guangzhou HQ by M Moser

08 Jun 2009

Student Loans Company offices by 3FOLD

08 Jun 2009

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Page 23 of 24

Design London announces new venue for London Design Festival 2020

Design London announces new venue for London Design Festival 2020

in Architecture

Icons of Denmark share 5 effective working from home tips

Icons of Denmark share 5 effective working from home tips

Puri Lighting create a Malevich-inspired fantasia of reflecting lights

Puri Lighting create a Malevich-inspired fantasia of reflecting lights