JXTC GENRE : DECEMBER 08 TEMPLATE
Profiles
Dressed in trademark black, Jean Nouvel sweeps into the dining room at Milan’s Hotel Principe di Savoia. I greet him with a wonky “bonjour”; he pauses briefly to shake hands, and then sits down at a table with another journalist some 20 feet away. At dinner the night before (part of a press junket), word had gone round that I was “the one” who had scooped an interview with the great man. Needless to say,…
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Mario Ermoli
Amid the loud and bustling opening day of the Stockholm Furniture Fair, meeting TAF’s Gabriella Gustafson and Mattias Ståhlbom is like stepping into a bubble. Quiet, calm and humble, there isn’t a shred of arty pomp to them, nor their designs. Appropriately, their best-known piece is the Wood lamp for Muuto (below), a deliberately low-tech take on the standard desk lamp, which typifies their simple, pragmatic aesthetic, and their ability to rethink the norm. They’re…
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Nicho Södling
“There is a snobbery about offices in architecture. People in colleges tend to look down their noses at commercial property. They would rather do a museum or a gallery. That is nice to do, but offices are highly constrained so if you do a good one it means you have done something exceptional.” So says Rab Bennetts, co-director of Bennetts Associates, the practice he founded with his wife Denise in 1987. Bennetts has a soft…
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Studiomama founder Nina Tolstrup is at a significant juncture in her life when onoffice turns up at her studio/home in Bethnal Green. After 13 years living in the UK, the family is upping sticks to Stockholm, due to Tolstrup’s husband Jack Mama (also a silent partner at the studio) landing the role of creative director at Electrolux. It’s clear that Tolstrup is more than a little hesitant to leave her home – “they’ll be dragging…
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Katherine Fawssett
21
Jan
Tilt: "The god-like approach to design has run its course"
Published in Profiles
Written by James McLachlan
“There are huge changes in the workplace and we need a new type of architect to meet them with a new type of knowledge base and skill-set,” said Professor Jeremy Myerson last December. Many will recognise the rhetoric as more than a little familiar. Myerson heads up the Helen Hamlyn Centre for Design at the RCA, an organisation known for reeling off investigative reports into the shifting sands of workplace design. What is undeniable is…
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Bernd Ott and Jill Tate
Creative partnerships are often sparked by conflict. In the music world, tension-fuelled relationships are everywhere, occasionally used as a tool by hard-bitten promoters to sell their latest pop hopefuls to a jaded public. Inevitably, they burn with a comet’s intensity before fizzling out under the innocuous euphemism of “creative differences”. For German designers Markus Jehs and Jürgen Laub, the two halves of Jehs + Laub, “creative differences” are often the beginning rather than the end…
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Richard Maas
Unlike many designers for whom style reigns supreme, Simon Pengelly’s pragmatic approach leads with function, ergonomics and market need, with a simple aesthetic seeming to emerge as a by-product. That’s not to say he is lacking finesse – that’s the easy bit, having grown up immersed in craftsmanship. With a career founded in the workshop, he champions manufacturing and so-called “quiet design”. “Learning at the bench gives you a practical approach to problem solving,” says…
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Edgar Hoffmann
“We are calling it ‘organic engineering’,” says Jonathan Prestwich, gesturing to a prototype on a shelf above us. “All the office chairs we have worked on before were based on old-fashioned engineering, very Bauhaus. If you look at this there is none of that.” He is right. The chair we are examining is free from the normal levers, buttons and knobs. Although some way removed from a futuristic blob, there is nevertheless an agrestal feel…
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Steve Double
“I heard you wanted to see the gold medal,” says Herman Hertzberger, pushing a saucer-sized plastic medallion into my hands. The architect is referring to the RIBA Royal Gold Medal he was awarded this year, but even the most credulous would immediately spot that is the sort of knickknack people buy for friends who have staggered through a fun run. As one might expect from an architect who rewrote the rules of workplace and school…
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Richard Maas
Spanish designer Tomás Alonso needs his space. Part of the Okay Studio collective, he shares a huge building in north London that affords him a sizable workshop area, a space that is integral to his design approach, since it enables him to test and tinker with every stage of the design process. “It is very important to be able to make things with my hands to understand,” says Alonso. “A lot of the things I…
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“Flying is a kind of dream and the plane is a strong industrial object. I think it would be very exciting,” says Emmanuel Gallina when asked what his fantasy design commission might entail. “Concorde was my favourite machine.” Gallina’s enthusiasm for this virtual project leaves you with the unyielding impression that aviation is the Holy Grail for industrial designers. Inspired by the romance of flight, but more importantly the need to understand the technology underpinning…
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Andrew Meredith
“The centre of design is defined by the factories, certainly not by designers,” says Alain Berteau, a Belgian whose quietly quirky furniture and objects belie a certain kind of pragmatism. “I’m the kind of guy who is not really indulgent with people who believe that design is a means of expression, or an entertainment channel. I know it sounds sad but that’s what I think,” he says matter-of-factly. It’s an amusing statement when you consider…
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Benjamin Brolet
Every European country has its design royalty. You know the types – people who can pull in a decent crowd at a press conference. In Sweden, it’s a trio of friends called Claesson, Koivisto and Rune. Since forming their multi-disciplinary design studio 17 years ago, they have collaborated with most of the major brands going, making them permanent fixtures on the international scene. Although, however global their client base becomes (around 50 companies at the…
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Johanna Berglund
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Comments
- Very balanced review, great to see some numbers! Written by DaveE
- Very impressive! Written by Emma Sanders
- I hate... making design unaffordable by design. Written by Gary Burt
- Allnighters! Written by Channa Beswick
- lack of windows/natura light Written by D Avesani



